Share:


About folklore in the creative activity of Mykhailo Starytsky and Mykola Lysenko and its influence on the formation of the Ukrainian professional music and drama theater

    Liudmyla Kokhan   Affiliation
    ; Larysa Kokhan Affiliation

Abstract

The article is devoted to the study of folklore activities of Ukrainian playwright, writer, poet, translator, theatrical and cultural figure, director, philanthropist, director of the first Ukrainian professional theater, the so-called “theater of luminaries”, Mykhailo Starytsky (1840–1904) and the founder of the Ukrainian national opera, composer, pianist, conductor, folklorist, public figure Mykola Lysenko (1842–1912). The main attention is paid to the analysis of the playwright’s use of descriptions of rituals, customs, traditions, folk morals of Ukrainians, as well as examples of the use of small folk genres, phraseology. It was found that for the Ukrainian community the study and preservation of folk traditions in the second half of the 19th century played an important role in the formation of national self-identification and national consciousness. The origins, features and functions of ethnography in Starytsky’s works are determined, in particular it is proved that the playwright’s use of descriptions of Christian and pre-Christian rites was primarily aimed at a true image of traditional Ukrainian society, an important component of which were ancient rituals, games, music and drama actions. It is shown how the rites of the winter and summer cycles of the folk calendar are reflected in various ways in the artist’s work, which is the most saturated with various bright rituals and customs. It is proved that the study of folk music significantly influenced the composer’s creativity. It is confirmed, that folklore in the works of Starytsky and Lysenko had a positive effect on the formation of the Ukrainian professional theater as a music and drama one.

Keyword : ethnography, folklore, Mykhailo Starytsky, Mykola Lysenko, national identity, Ukrainian folk song, Ukrainian music and drama theater

How to Cite
Kokhan, L., & Kokhan, L. (2024). About folklore in the creative activity of Mykhailo Starytsky and Mykola Lysenko and its influence on the formation of the Ukrainian professional music and drama theater. Creativity Studies, 17(1), 86–100. https://doi.org/10.3846/cs.2024.15009
Published in Issue
Feb 19, 2024
Abstract Views
304
PDF Downloads
265
Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

References

Andrzejowski, A. (1861). Ramoty Starego Detiuka o Wołyniu. Nakładem i drukiem A. H. Kirkora.

Arkhymovych, L. (1956). Ukrains’ka clasychna opera: istorychnyi narys. Derzhavne vydavnytstvo obrazotvorchoho mystetstva i muzychnoyi literatury URSR.

Barаban, L. I. (1990). M. P. Starytsky i kul’turno-mystets’ke otochennia. Narodna tvorchist ta etnohrafiia, 6, 62–67.

Biletsky, O., & Mamontov, J. (1941). Starytsky: biohrafiia. In Ukrains’kyi teatr: khrestomatiia (Vol. 2, pp. 64–89). Derzhavne vydavnytstvo “Mystetstvo”.

Biletsky, O., & Mamontov, J. (1942). Ukrains’kyi teatr (Vol. 2). Derzhavne vydavnytstvo “Mystetstvo”.

Bilodid, I., Dotsenko, P., & Urchuk, L. (1971). Slovnyk Ukrains’koi movy (Vol. 2). Naukova Dumka.

Boboshko, Iu., Iosypenko, M., & Nesterovsky, P. (Eds.). (1967). Ukrains’kyi dramatychnyi teatr: narysy z istorii (Vol. 1). Naukova Dumka.

Bulat, T. P. (1965). Heroiko-patriotychna tema u tvorchosti M. V. Lysenka. Naukova Dumka.

Chebaniuk, O. (1987). Kalendarno-obriadovi pisni. Dnipro.

Czachowska, J., & Raszewski, Z. (1973). Słownik biograficzny teatru polskiego, 1765–1965. Państwowe Wydawnictwo naukowe.

Davydiuk, V. 2002. “Try hosti sydiat, radon’ku radiat”: istorychna atrybutyvnist’ Ukrains’kykh rizdviano-novorichnykh mifiv. In Krokoveie koleso: narysy z istorychnoi semantyky ukrainskoho fol’kloru (pp. 145–170). Naukova Dumka.

Dei, O. I. (Ed.) (1965). Koliadky ta shchedrivky: zymova obriadova poeziia trudovoho roku. Naukova Dumka.

Dei, O. I. (1977). Velychalni pisni. Narodnopisenni zhanry, 1, 11–41.

Dobrzyński, I. F. (1970). Mała Encyklopedia Muzyki. Państwowe Wydawnictwo naukowe.

Efremov, S. (2002). Istoriia Ukrains’koho pys’menstva. In I. Krypiakevych (Ed.), Istoriia Ukrains’koi kul’tury (pp. 353–383). Lybid’.

Franko, I. (1982). Peredmova. In Zibrannia tvoriv in 55 volumes (Vol. 33, pp. 417–428). Naukova Dumka.

Gavadzin, V. (2009). Kalendarno-obriadovyi kontekst teatralno-literaturnoi spadshchyny M. Starytskoho, iak element vidobrazhennia narodnoi samosvidomosti. In Rol’ vyznachnykh osobystostei – mytsiv, diiachiv nauky ta kul’tury u protsesi formuvannia natsional’noi samosvidomosti naprykintsi XIX – na pochatku XX stolittia (pp. 274–283) (Materialy III–V naukovykh seminariv). NaUKMA.

Gavadzin, V. (2010). Mifolohichnyi aspect hutsul’s’koi ranniovesnianoi kalendarnoi obriadovosti iak element vidobrazennia lokal’noi identychnosti. Etnichna istoriia narodiv Ievropy, 31, 68–73.

Gogol, N. (2020). May night, or the drowned maiden. SAGA Egmont.

Gogol, N. (2003). The modern library classics. Taras Bulba. Modern Library.

Gogol, N. (2015). World classics – Russian. Vechera na khutore bliz Dikan’ki. JiaHu Books.

Gogol, N. V. (2017). St. John’s Eve. CreateSpace Independent Publishing Platform.

Grinchenko, V. D. (Ed.) (1899). Etnograficheskiie materialy, sobrannyie v Chernigovskoi i sosednikh s nei guberniiakh: piesni (Vol. 3). Tipografiia gubernskogo zemstva.

Hranat, O. (2010). Dramatychnyi teatr iak fenomen ukrains’koi kul’tury (na materiali Chernihivshchyny kintsia XIX – pochatku XX stolittia) [PhD/Doctoral Thesis, Ukrainian National Tchaikovsky Academy of Music]. Kyiv, Ukraine [unpublished source].

Iliński, J. S. (1970). Mała Encyklopedia Muzyki. Państwowe Wydawnictwo naukowe.

Izvarina, O. (2011). Ukrainske operne mystetstvo v istorii natsional’noi khudozhnioi kul’tury druhoi polovyny ХІХ – pershoi tretyny ХХ stolitiia: monohrafiia. NACCKiM.

Karasowski, M. (1859). Rys historyczny opery Polskiej: poprzedżony szczegółowym poglądemna dzieje muzyki dramatycznej powszechnej. Księgarnia i Skład Nut Muzycznych Michała Glücksberga.

Khnatiuk, V. (Ed.). (1914). Koliadky i shchedrivky. Etnohrafichnyi zbirnyk, 1(35), 1–35.

Kobryn, N. (2017). Pryzhyttievi presovi publikatsii pro Mykolu Lysenka v Halychyni. Zbirnyk prats Naukovo-doslidnoho instytutu presoznavstva, 7, 94–119.

Koliada, I. A., Koliada, Y. I., & Vergun, S. I. (2015). Mykola Lysenko. Folio.

Komorowski, J. (1985). Polskie życie teatralne na Podolu i Wołyniu do 1863 roku. Ossolineum-Pan.

Król-Kaczorowska, B. (1971). Teatr dawnej Polski. Budynki. Dekoracje. Kostiumy. Wydawnictwo Państwowy Instytut Wydawniczy.

Lysenko, M. V. (2004). Lysty. Uporyadkovanyy substantyvnyy komentovanyy anotovanyy imennyy indeks. R. M. Skorulska (Ed.). Muzychna Ukraina.

Nehreichuk, І. (2009). Mykola Lysenko: bibliohr. Naukovo-dopomizhnyy bibliohrafichnyy pokazhchy. Folio.

Nemchenko, G. V. (2016). Folkloryzm dramaturhii Mykhaila Starytskoho. Naukovi pratsi, 265(277), 50–57.

Opanasovych Potebnya, O. (1887). Poyasnennya malorosiys’kykh i sporidnenykh narodnykh pisen’. In Russkii filologicheskii vestnik (Vol. 2, p. 809). Tipografia Mikhila Zemkevicha.

Pylypchuk, R. (2003). Mykola Lysenko u memuarakh suchasnykiv (Vol. 1). Muzychna Ukraina.

Shevchenko, T. (2015). Hamaliya. https://taras-shevchenko.storinka.org/hamaliya-poem-of-taras-shevchenko-ukrainian-to-english-translation-by-vera-rich.html

Shubravska, O. (1990). Ideino-estetychni funktsii pisni v piesakh M. P. Starytskoho. Narodna tvorchist’ ta etnohrafiia, 6, 55–62.

Shulgina, V. D., & Antonova, K. A. (2016). Dni i roky M. V. Lysenka, zibrani v odne vydannia. Visnyk Natsional’noi akademii kerivnykh kadriv kul’tury i mystetstv, 4, 66–69.

Skibiński, K. M. (Ed.). (1963). Pamiętnik aktora. In Wspomnienia aktorów, 1800–1925 (Vol. 2, pp. 13–173). Wydawnictwo Państwowy Instytut Wydawniczy.

Starytsky, M. (1984). Roboty u 2 tomakh: ukladach i avtor peredmovy. L. Demyanivska (Ed.). Dnipro.

Stetsenko, L. F. (1969). Dramaturhiia M. P. Starytskoho. In Istoriia ukrainskoi literatury (Vol. 2, pp. 327–359). Naukova Dumka.

Sumtsov, M. (1886). Nauchnoie izuchenie koliadok i shedrivok. Kiievskaia starina, 2, 237–266.

Taranchenko, O. G. (2017). Theatricality in the work of M. Lysenko. Journal of the National Music Academy of Ukraine named after P. I. Tchaikovsky, 4(37), 27–35.

Tkach, M. (2008). Mifolohiia: kurs lektsii [unpublished source].

Tsybaniova, O. (1996). Lavry i terny… Zhyttievyi i tvorchyi shliakh Mykhaila Starytskoho. UDCKI.

Vasylenko, Z. (1972). Folklorystychna diial’nist’ M. V. Lysenka. Naukova Dumka.

Voitovych, V. (2002). Ukrains’ka mifolohiia. Lybid’.

Zahaykevych, M. (2005). Ukrains’ka muzychna kul’tura. Istoriia ukrains’koi kultury, 2(4), 207–284.